The Curious Case of Benjamin Button dir. David Fincher
After a career of creating films that explore serial killers (Se7en, Zodiac) and the male psyche (Fight Club), David Fincher shows his heart in The Curious Case of Benjamin Button. The film has its flaws, but there are some truly breathtaking moments in this 3-hour epic that make it one the year’s best.
The Dark Knight dir. Christopher Nolan
It’s a rare treat for a film to be well executed and meaningful as well as popular. The top grossing film of 2008 at nearly $1 billion, the second installment of the reincarnated Batman series stretched beyond a good-guy/bad-guy tale to become something larger than itself: speaking on terrorism, the nature of chaos, and the role of morality among the masses.
My Winnipeg dir. Guy Maddin
In this docu-fantasia, Guy Maddin, “the mad poet of Winnipeg,” explores his love/hate relationship with his hometown. Casting actors to reenact key moments from his childhood, Maddin explores the role of myth in the Canadian conscience while playfully ignoring the line between fact and fiction in his signature, black & white melodrama style.
Rocket Science dir. Jeffrey Blitz
Rocket Science is the quirky comedy of the year: a boy with a stutter joins a debate team in pursuit of a girl. Awkward hilarity ensues. Eef Barzelay creates a pitch perfect soundtrack to backdrop Jeffrey Blitz musings on teenage confusion through an ensemble of idiosyncratic characters: from desperate adults to ambitious oddballs.
Slumdog Millionaire dir. Danny Boyle
Danny Boyle – whose eclectic mix of films includes Trainspotting, Millions, and 28 Days Later – creates a love-letter to Mumbai with his crowd-pleaser Slumdog Millionaire. The story tracks Jamal Malik from the slums to his turn on the Indian version of Who Wants to Be a Millionaire? The premise sounds cheesy, but this film is bursting with so much colour, life, and love that its fairy tale roots become real.
Best Utterly Depressing Foreign Film:
4 Months, 3 Weeks and 2 Days dir. Cristian Mungiu
It’s hard to recommend this Romanian film, but I am still in awe of its execution. Setin Communist era Romania, the film follows two college roommates who try to arrange an illegal abortion. Oleg Mutu’s filming is stark and subtle, lingering far beyond comfort on the frightened protagonists as their decisions drive them into further peril.